Boris Godunov
also Борис Годунов, Boris Godunoff, Boris Godunow
opera · народная музыкальная драма (narodnaya muzykal'naya drama — folk music drama)
Composer Modest Musorgsky
Librettist Modest Musorgsky
Synopsis
Boris Godunov is acclaimed tsar, having reputedly procured the murder of the child Dmitry years before. The monk Grigory, learning of the crime from the chronicler Pimen, flees the monastery and takes the dead boy's identity, gathering support to march on Moscow and claim the throne as the true heir.
Versions
Key facts
- Premiere
- 16 February 1928, Leningrad State Academic Theatre of Opera and Ballet, St Petersburg
- Acts
- 4
- Language
- Russian (ru)
- Setting
- Russia, between 1598 and 1605.
What's different
Seven scenes grouped into four acts, no Polish act, ending with Boris's death. Tighter and bleaker than the revision, and increasingly staged on its own terms. Rejected by the Imperial Theatres committee in 1871, and not published until Pavel Lamm's 1928 composite edition. The Leningrad premiere that year staged Lamm's edition combined with the Polish act and the Kromy Forest scene from the 1872 revision, Marina and Rangoni included, not the 1869 text alone; a production closer to the 1869 structure followed in Moscow in 1929, and the first staging of the 1869 text by itself was at Sadler's Wells in London in 1935. Major collections, this one included, still date the version to the 1928 Leningrad premiere.
Dramatis personae
| Role | Voice | Created by |
|---|---|---|
| Boris Godunov Tsar of Russia. | bass-baritone | Mark Reyzen |
| Xenia Boris's daughter. | soprano | Maria Elizarova |
| Fyodor Boris's young son and heir. | mezzo-soprano | Lyudmila Vedernikova |
| The Nurse Nurse to Boris's children. | contralto | N. M. Smolyanova |
| Prince Shuisky A boyar. | tenor (spieltenor) | Aleksandr Kabanov |
| Khrushchov A boyar. | tenor | Nikolai Chesnokov |
| Boyar in Attendance A boyar attending Boris. | tenor | Leonid Nezhdanov |
| Andrey Shchelkalov Clerk of the Duma. | baritone | Mikhail Bocharov |
| Nikitich A police officer. | bass | Aleksandr Fomin |
| Mityukha A peasant. | bass | Aleksandr Belyanin |
| Pimen A monk and chronicler. | bass | Ivan Pleshakov |
| Grigory A novice. | tenor (spinto) | Nikolai Pechkovsky |
| Varlaam A vagrant monk. | bass (buffo) | Pavel Zhuravlenko |
| Missail Varlaam's companion. | tenor | Vasily Kalinin |
| The Innkeeper Hostess of the inn on the Lithuanian border. | mezzo-soprano | Ekaterina Sabinina |
| The Holy Fool A simpleton. | tenor | Vasily Tikhy |
Key facts
- Premiere
- 27 January 1874 (Old Style) / 8 February 1874 (New Style), Imperial Mariinsky Theatre, St Petersburg
- Acts
- 4
- Language
- Russian (ru)
- Setting
- Russia and Poland, between 1598 and 1605.
What's different
Prologue and four acts. The Polish act is new, and with it Marina and Rangoni; the scene at St Basil's is replaced by the Kromy forest, so that the opera ends not with Boris's death but with the pretender riding through a countryside in revolt. Chosen as primary: it is Musorgsky's own second thought and the basis of most stagings, though many houses now conflate it with 1869 by restoring St Basil's. The two premiere dates given are the same night in the Julian and Gregorian calendars, not a disagreement.
Dramatis personae
| Role | Voice | Created by |
|---|---|---|
| Boris Godunov Tsar of Russia. | bass-baritone | Ivan Melnikov |
| Xenia Boris's daughter. | soprano | Vil'gel'mina Raab |
| Fyodor Boris's young son and heir. | mezzo-soprano | Aleksandra Krutikova |
| The Nurse Nurse to Boris's children. | contralto | Olga Schröder |
| Prince Shuisky A boyar. | tenor (spieltenor) | Vasily Vasilyev |
| Khrushchov A boyar. | tenor | Matvey Matveyev |
| Boyar in Attendance A boyar attending Boris. | tenor | Vladimir Sobolev |
| Andrey Shchelkalov Clerk of the Duma. | baritone | Vladimir Sobolev |
| Nikitich A police officer. | bass | Mikhail Sariotti |
| Mityukha A peasant. | bass | Anatoly Lyadov |
| Pimen A monk and chronicler. | bass | Vladimir Vasilyev |
| Grigory / The Pretender A novice. | tenor (spinto) | Fyodor Komissarzhevsky |
| Marina Mniszek A Polish noblewoman. | mezzo-soprano (dramatic) | Yuliya Platonova |
| Rangoni A covert Jesuit. | bass | Josef Paleček |
| Lavitsky A Jesuit, Rangoni's companion. | bass | Vladimir Vasilyev |
| Chernikovsky A Jesuit, Rangoni's companion. | bass | Vladimir Sobolev |
| Varlaam A vagrant monk. | bass (buffo) | Osip Petrov |
| Missail Varlaam's companion. | tenor | Pavel Dyuzhikov |
| The Innkeeper Hostess of the inn on the Lithuanian border. | mezzo-soprano | Antonina Abarinova |
| The Holy Fool A simpleton. | tenor | Pavel Bulakhov |
Key facts
- Premiere
- 28 November 1896 (Old Style), Great Hall of the St Petersburg Conservatory, St Petersburg
- Acts
- 4
- Language
- Russian (ru)
- Setting
- Russia and Poland, between 1598 and 1605.
What's different
Rimsky-Korsakov's reorchestration, with cuts, re-barrings and harmonic smoothing; revised and expanded by him in 1908 for the Diaghilev production in Paris that made the work internationally famous with Chaliapin as Boris. This carried the opera for most of the twentieth century and is still occasionally revived. It reached the stage privately: the St Petersburg Society of Musical Gatherings mounted it rather than the Mariinsky, on private money and with its own chorus, the solo parts going mostly to amateurs with a few Mariinsky professionals among them, Fyodor Stravinsky and Ivan Yershov. The run was four nights, on 28 and 29 November and 3 and 4 December, Rimsky-Korsakov conducting the first and the last and M. A. Goldenblum the two between. A private performance left no full cast list: casting is recorded only for the roles credited here, and the rest of the cast is unrecorded.
Orchestrator Nikolay Rimsky-Korsakov
Reviser Nikolay Rimsky-Korsakov
Dramatis personae
| Role | Voice | Created by |
|---|---|---|
| Boris Godunov Tsar of Russia. | bass-baritone | Mikhail Lunacharsky |
| Xenia Boris's daughter. | soprano | — |
| Fyodor Boris's young son and heir. | mezzo-soprano | — |
| The Nurse Nurse to Boris's children. | contralto | — |
| Prince Shuisky A boyar. | tenor (spieltenor) | Nikolai Safonov |
| Khrushchov A boyar. | tenor | — |
| Boyar in Attendance A boyar attending Boris. | tenor | — |
| Andrey Shchelkalov Clerk of the Duma. | baritone | — |
| Nikitich A police officer. | bass | — |
| Mityukha A peasant. | bass | — |
| Pimen A monk and chronicler. | bass | V. D. Zhdanov |
| Grigory / The Pretender A novice. | tenor (spinto) | Gavriil Morskoy |
| Marina Mniszek A Polish noblewoman. | mezzo-soprano (dramatic) | Lidiya Ilina |
| Rangoni A covert Jesuit. | bass | Nikolai Kedrov Sr. |
| Lavitsky A Jesuit, Rangoni's companion. | bass | — |
| Chernikovsky A Jesuit, Rangoni's companion. | bass | — |
| Varlaam A vagrant monk. | bass (buffo) | Fyodor Stravinsky |
| Missail Varlaam's companion. | tenor | — |
| The Innkeeper Hostess of the inn on the Lithuanian border. | mezzo-soprano | — |
| The Holy Fool A simpleton. | tenor | Jakobs Karklinš |
Source
- Boris Godunov by Aleksandr Pushkin (1831)
- Istoriya gosudarstva Rossiyskogo by Nikolay Karamzin (1818) — Karamzin's history, Pushkin's own source, drawn on directly for the wording of Pimen's chronicle scene
Written from
- Taruskin, R. (1992) 'Boris Godunov', in Sadie, S. (ed.) The New Grove Dictionary of Opera. London: Macmillan Reference, vol. 1, pp. 552-559.
- Wikipedia (2026) Boris Godunov (opera). (Accessed: August 2026).
- Royal Opera House Collections (n.d.) Boris Godunov [1869]. (Accessed: September 2026).
- Mikhailovsky Theatre (n.d.) Сценическая история «Бориса Годунова». (Accessed: August 2026).
- Bolshaya Rossiyskaya Entsiklopediya (n.d.) «Борис Годунов» (Мусоргский). (Accessed: August 2026). Names the 1896 cast.
- Aleksandrova, V. A. (2022) История изучения наследия М.П. Мусоргского в авторских версиях (конец XIX – первая треть XX века). Candidate's dissertation, State Institute for Art Studies, Moscow, vol. 1, p. 140. (Accessed: 1 September 2026). Names the 1928 cast, transcribed from the premiere playbill.
- Русская музыкальная газета (1897) 'Хроника. С.-Петербургъ: Опера и концерты', January, col. 153. A report of the 1896 run made at the time. It names Yershov as the Pretender where the Great Russian Encyclopedia names Morskoy for the premiere itself. The two shared the leading tenor roles at the Mariinsky and the run was four nights, so both may have sung it; the credit follows the encyclopedia, which is the source tied to 28 November.